The recordings capture the ferocious chemistry and dark magic that defined this incarnation of Black Sabbath with thrilling live versions of recent tracks like “Neon Knights,” “The Sign Of The Southern Cross,” “Voodoo,” and “Children Of The Sea.” The album also honored the band’s original lineup with Dio-led versions of Sabbath classics like “Paranoid,” “War Pigs,” “Iron Man,” and “N.I.B.”Īlas, the lineup split before the album was released. Reviews were overwhelmingly positive, including one from influential heavy metal magazine Kerrang! that hailed it as “one of the greatest live albums of all time.” When Live Evil arrived in 1983, the double album was a commercial and critical triumph, reaching #13 in the U.K. Black Sabbath Mk 2 had given their record label two best-selling LPs and were about to present a third.” In the extensive liner notes that accompany LIVE EVIL (40th ANNIVERSARY SUPER DELUXE EDITION), Hugh Gilmour writes: “The ten-month Mob Rules tour was certainly a very successful one, resurrecting their reputation not only as a band that could fill major venues, but one that could sell plenty of vinyl and cassettes too. While touring for the album, the band announced plans to record several shows for what would become its first official concert album. Released in November 1981, the album would be certified gold. When the tour ended in 1981, the group decamped to Los Angeles and quickly recorded Sabbath’s 10th studio album, Mob Rules. Halfway through the album’s tour, Ward left and was replaced by Vinny Appice. The newly minted quartet debuted in 1980 with Heaven and Hell, a platinum-certified smash that won over fans of the original lineup. Listen now.Ī new era of Black Sabbath began in 1979 when singer Ronnie James Dio joined the band, along with founding members Tony Iommi, Geezer Butler, and Bill Ward, to launch a new incarnation of the iconic heavy metal band. The newly remastered version of “The Mob Rules” is available digitally, today. The physical versions also come with illustrated hardback books that include new liner notes and replicas of the concert book and poster from the Mob Rules tour. The collections feature two versions of the legendary album: a newly remastered version by Andy Pearce along with a new mix created from the original analog multi-tracks by longtime band associate Wyn Davis. LIVE EVIL (40th ANNIVERSARY SUPER DELUXE EDITION) will be released on 2nd June as a 4-CD set, a 4-LP set and digitally. Here is their history on vinyl of the classic, original line-up and the details of the rarest and most collectable first pressings issued in the UK between 19.Black Sabbath’s first official live album, Live Evil, celebrates its 40th anniversary this year with a new Super Deluxe Edition that introduces newly remixed and remastered versions of the acclaimed double album. Of the triumvirate of British rock legends Led Zeppelin, Deep Purple and Black Sabbath, only the latter has managed to keep the bandwagon rolling virtually non-stop since their inauguration. Line-ups changed, singers, bassists and drummers came and went until, eventually the original foursome reunited, initially for a few festival shows, and then finally for a long awaited studio album – their first together for 35 years, and their most successful (in chart success) since their second LP in 1970. The brand that was Sabbath continued to fly the heavy metal banner, with Iommi the only constant factor throughout the decades. With unwavering commitment from the group’s de-facto leader, guitarist Tony Iommi, Black Sabbath soldiered on and on. From very humble beginnings in 1968, four musicians from Aston in Birmingham quickly evolved their blues rock music into the heaviest and most satanic sounds of the early 1970s.ĭespite their massive popularity with both record sales and concert attendances, Sabbath were mercilessly exploited by their management in the mid-70s.īattling drug and drink addictions and numerous legal actions along the way, Sabbath plodded on through the decade with some of the heaviest riffs ever committed to tape, but also experimented with orchestras, choirs, synthesisers and even brass sections – eventually causing the final breakup of the band’s original line-up after years of internal frustrations.
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